A calligraphic alphabet in bold/light brushstrokes
Actually, a typeface like this one should be written with a wide brush; this one was written with a thick, pointed brush.
Thus were created the round or misshapen ends of the stems, and the sometimes excessively pointed ends of the hairlines. For each character of KLEX, the large brush was dipped in the ink anew. Using this method, the forms turned out very soft, in spite of their geometrical rigidity. The individual characters are heavy, simple, and monumental, so that they are also suitable as initials.
The font downloadable here is a reduced version (without punctuation, ligatures, numbers etc.). A commercial version of this font (with all features) is available at ingofonts.com .
